I will not say that Dan Slott has made comics fun again.
Because, if I did say it, it might mean that he’s taken characters we loved, squeezed them through an emotional and physical wringer, re-written their history as everyone understood it (into something no one ever will) and replaced the old concept with something highly marketable… this month.
Sorry, but every time someone writes an Identity Crisis, an Avengers Disassembled, an Infinite Crisis… there’s always a text page or an interview with the editor, saying “when we conceived this, we all sat down and asked ourselves, ‘what do we love about comics?’ And we’re going to use that information to make comics fun again!” Not that there wasn’t some value for someone in all of those works. Personally, I enjoyed Identity Crisis. But I’ve learned to distrust the promise about making comics fun. The stated intent to do so too often accompanies a product that gets your attention, but leaves you feeling doubtful about the benevolence of God at worst, the creative team at best.
So I will not tell you that, first with She-Hulk, then with Spidey/Human Torch, and now with GLA, Dan Slott is making Marvel comics fun again. It’s a shame I can’t tell you, too. Cause’s there’s quite a list of stuff that’s, well… mustn’t… use… f-word…
The “Misassembled” logo stamped across the cover, reminiscent of BMB and Joey Q’s excellent marketing campaign a few months back? Fun? I neither confirm nor deny. But it does set a tone of parody for the whole project.
Squirrel Girl’s Laemmle-esque* appearance on the splash page, for instance, to tell us that she won’t appear in the story, and that kids shouldn’t try at home what the Great Lakes Avengers try on the printed page. Not anything. Can’t tell you it’s fun.
The “Monkey Joe Says” asides, cajoling fan-boys to write Marvel and protest being stereotyped as overweight, aging basement-dwellers, or reminding us that child-endangerment is never funny. Would you say they were fun? You probably would. I can’t. I took the oath.
Mr. Immortal’s completely inappropriate reaction to the news of Hawkeye’s Death? (“This is awesome!” Don’t you get it? This means from now on… we’re the Avengers!”) Hawkeye’s death could never be funny for a longtime Avengers fan, but this at least gives it that hint of farce which says, “Hey, it’s comics! Nothing is forever!”
Learning Mr. Immortal’s origin? Okay, not fun a lot of the time. Poor guy had a tragic life. Dead Mom. Dead Dad. Dead girlfriend. Death as an imaginary friend. The key word, Mr. Spock, is d-d-death. This tale really brings out the not-fun side of being immortal. Sometimes you just want it all to end, and, for him, that ain’t gonna happen.
(And in the Not fun at all department? The Cup O’ Joe column. Seriously. It’s like always being reminded who’s President. Bipartisan slam, kids. That’s been painful for me since about 1980.)
Actually, I don’t know if Dan Slott and company set out to make comics fun again. Given the road-to-hell type examples above, it’s probably better if they didn’t. But they have made a practice of making their stories incorporate everything that was fun for me in the Marvel Comics of the pre-Shooter days.
Slott’s comics bring back the pleasure of discovery, or re-discovery. He touches on all the characters, new and old, who make up the tapestry of the Marvel Universe. Some of them are heavy hitters. Some of them are second-rate. Some of them are jokes. Some of them are just downright bizarre. They’re all colorful, though, ’cause it’s comics. (Pre-eighties comics, I stress. Isn’t it a crying shame that, as color printing has become more sophisticated, comics have gotten less colorful?)
The GLA are generally likable. No, they don’t always like each other. And sometimes they’re not always nice. But even their fights are funny. Like Johnny and Ben. Cap and Hawkeye. Spidey and Jonah. The Hulk and… well… everyone. Despite their flaws, we could love the characters. I wouldn’t want to hang with Wolverine or the Punisher, ’cause they’d probably bring rope. I wouldn’t want to date the White Queen, ’cause she’d probably burn my mind out before the evening got good. And take my wallet. I wouldn’t want Jarvis to serve me tea in the Avengers Mansion now, even if it weren’t still standing, ’cause it might blow up at any moment, and I’d be surrounded by death and dismemberment.
Don’t get the impression that GLA is all pretty, either. [SPOILER ALERT] Like I said, it parodies Disassembled, and has some of that epic’s elements. There’s a lot of death. The book begins and ends with Mr. I shooting himself in the head. We see his whole family die in flashback, except for the foster father we despise and want to see die… We see the tragic death of Dinah Soar, poor mute thing, right after she has found her voice and declared her undying love for Mr. I.
And, while taking some cues from AD, it doesn’t feel the need to deliver an explosion a minute, or make us cry “Game Over, Man!” with every third panel. It does give the feeling, though, that change is in the air. We get the sense that this whole team might just bite the big one, so Slott can create the New Great Lakes Avengers.
But I bet Spidey and Wolverine won’t be invited to that party. She-Hulk, though… now there’s a thought…
* Carl Laemmle, father of Universal Studios’ classic 1930’s horror films, including Dracula, Frankenstein and the Invisible Man, introduced his first horror outing by appearing “on stage” and warning viewers that the movie might actually scare the pants off them. Who says this isn’t still the Marvel Age of the Fabulous Footnote? — Not Stan Steve
GLA, Issue One
Writer: Dan Slott
Penciler: Paul Pelletier
Inker: Rick Magyar
Colors: Will Quintana
Letterer: Dave Lanphear
Asst Editors: Schmidt, Moore & Lazer
Editor: Tom Brevoort
Editor-in-Chief: Joe Quesada
Publisher: Dan Buckley