I Just Finished – Secret Empire #10

This was a terrible let-down. The series was mildly interesting, but, ultimately, the problem with the Hydra Cap story is not that it made Cap a fascist, it’s that it was the setup for a thinly veiled anti-Trump rant. A poor successor to the real Secret Empire story, and a cheap excuse for Big Damn Deaths of the Year. It’s odd, because I understand Nick Spencer is not particularly leftist, but the “stand and fight fascism” mantra that permeates the final battle, laced with all the talk about how “we let this happen,” and how half the people supported Hydra Cap, can’t really come off as anything else but a blatant partisan statement.

Steve Engelhart’s first “Secret Empire” storyline, 40 years gone, was not an anti-Nixon rant or an anti-Republican rant, much as Englehart probably disapproved of both. That story was about secrecy and lack of transparency in government as a concept. A much subtler, much less divisive tale. The original was also groundbreaking, and this new one is not. There’s nothing wrong with not being groundbreaking, assuming that you’re not pushing your product as an earth-shaking “event” series.

Definitely, in the end, not worth the interruptions of good storylines in many other comics this summer. I found most of those tie-ins very disappointing as well.

I Just Finished – Champions (2016) #12

I promised to share what I’ve been reading, watching and listening to. Here’s the first entry. Going for daily. Will post them under “I Just Finished…” Please jump in with your thoughts. 

Cyclops loses it! Well, he doesn’t lose that. 

Champions has strayed occasionally into the preachy, just a little. When the story opened with the team getting a call to handle a riot in Denver, I cringed a bit. Fortunately, the riot was not caused by the orange rays emanating from the President, but by a classic supervillain from a more innocent time–Psychoman.

Slim Summers takes a point blank shot of Psychoman’s emotional manipulation force, and spends the issue running the gamut of extreme emotions in a very fun way. A fun story about a fun team. Hopefully a new trend after the deadly dull tie-ins with Secret Empire these past couple issues. Marvel’s marketing arm still did everything they could to try and tie this standalone tale into Secret Empire. Their hype for this issue? “SECRET EMPIRE AFTERMATH! The Champions team was born from a fracture inside the Avengers. Now the events of SECRET EMPIRE have divided the Champions — and which ones are still with the team may surprise you!”

Really, Marvel?

The Champions / Avengers War storyline starting next issue looks promising, with hints that Mark Waid is in control and free of Summer Tie-In restraints. I look forward to his tribute to the original “Summer Tie-In,” the Avengers / Defenders War of 45 years ago.

Age of Ultron – The ‘Bot Himself

Avengers-Age-of-Ultron-Official-TrailerI’ve read a couple of reviews of Age of Ultron which criticize the character of the villain, the murderous AI named Ultron. One called him “generic.” Another suggested that he wasn’t as clever a treatise on the dangers of artificial intelligence as some other film which was released recently.

Ultron, as is pretty clear from my last entry’s discussion of his “son,” the Vision, is, after all, only half a treatise on artificial intelligence. And the Vision, is not a treatise on its dangers, but on its wonderful potential. Dangers? Let’s be honest, everything that’s wrong with Ultron as an intellect is also wrong with a lot of humans. And that gets me to my refutation of that other accusation: that Ultron is generic. Ultron is, indeed, a deeply personal menace to the Avengers. For not only are his failings also theirs, he is, in fact, born of the hubris of one of their own. Tony Start believes he can enforce the perfect peace by building an AI, and he seizes on the technology behind Loki’s alien scepter to do that.

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Age of Ultron – Vision Quest

vision_AOUSo my favorite Marvel film has been taking a pounding this week, from the usual nay-sayers who wanted it to be Batman, or who wanted it to be just the first one again (suggestion – watch the first one again!) I’ve heard Ultron called a generic villain, and read that Evan Peters was a better Quicksilver in Days of Future Past.

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Review – The Secret History of Wonder Woman by Jill LePore

SHoWWI discovered Wonder Woman when I was about nine years old. The very first story I ever read was her first cover appearance in Sensation Comics #1. (Not the original issue, but a repro from the 1970s, when DC Comics cared about its history and took lots of opportunities to introduce new readers to old stories.) I quickly ordered a similar repro of Wonder Woman #1, and so I pretty much knew from the beginning that Wonder Woman’s creator, William Moulton Marston, who wrote under the name Charles Moulton, was a psychiatrist. I knew he was the inventor of the lie detector test (but, sadly, not the person who wound up with the patent for it), and that he had created his character intentionally to give comics readers an example of a strong female. (Not just, it turns out, as a role model for girls, either.)

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15 of Marvel’s Greatest Comics… Steve’s Perspective

So last week I took some well-deserved shots at Marvel’s self-serving list of their 75 greatest comics, comic storylines, and graphic novels, published in their 75th Anniversary Magazine. Supposedly, the list was voted on by fans. If that’s true, I’m very disappointed in what’s left of Marvel’s fans. Anyway, as promised, here’s my picks for 15 of Marvel’s greatest.

A few of these are just personal favorites. But largely, I feel they represent the building blocks of the Marvel Universe, the foundation of all that came later. The modern creators who dub themselves “architects” (when perhaps they should merely be called “remodelers”) stand on the shoulders of giants. Without these stories below, and many others like them, all the shocking character death, all the sudden moral reversals and changing of heroes to despicable villains, all the experimental water color art and all the boring nine-panel grids of the same two characters in the same positions with the same expressions, could never have seen the light of day. For their highly referential presence would refer back to nothing.

There is no order of importance here. They’re just chronological.

300px-X-Men_Vol_1_12X-Men 12-13 (7/65,9/65) “Who Can Stop the Juggernaut?” Okay, actually its first part was titled simply, “The Origin of Professor X.” Either way, it’s the scariest comic I’ve ever read. Cain Marko is not seen in his mutated form until the last few panels. Instead, like the Alien in Alien, he slowly stalks the mutants throughout the issue while Professor X explains his history and tells the teen heroes just how truly f____d they are. I kid you not, I had nightmares in fourth grade. Continue reading

The 75 Greatest Marvel Comics of All Time… “All Time” being relative…

300px-Marvel_75th_Anniversary_Magazine_Vol_1_1_TextlessRecently I happened to come across the Marvel 75th Anniversary Magazine. Reminiscent of “house” fanzines like FOOM or The Amazing World of DC Comics (but slicker and lacking their folksy charm), this all-color celebration of the company’s 75th birthday includes an interview with Marvel founder Stan Lee, a history of how a little company called Timely Comics ultimately became Disney’s Marvel Entertainment, and–disappointingly–a feature titled “The 75 Greatest Marvel Comics of All Time.” This includes cover shots representing, as promised, 75 individual issues, graphic novels or storylines from Marvel’s history. There’s an emblem on it, “Chosen by YOU!” Apparently, Marvel.com allowed its readers to vote.

Apparently, nearly all of Marvel.com’s readers began their comics-reading careers after 1990. The breakdown of time comics selected, by decade, goes like this:

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Review – Space: 1999 – To Everything That Was

space1999_classicI happened upon this volume almost by accident. I’ve always been a huge fan of Gerry and Sylvia Anderson’s 1975 – 1977 science fiction series, Space: 1999. I’ve got a bit of a chip on my shoulder about it, in fact, because the show seems to provoke resentment from most corners of Fandom. If you’re a fan over the age of about 35, you remember how it felt to like Star Trek or comic books, back before Fandom became just another cash cow for Hollywood? Before the Marvel Movies conquered the box office? Before The Big Bang Theory? (The show, not the actual theory. Note the italics. Punctuation is key.) Before geek was chic?

Yeah, it was a bad feeling to be a fan in those days. Everyone looked down on you, to include your peers, siblings, teachers, sometimes even your parents! Well, as bad as that felt for, say a Star Trek fan, it was worse for a Space: 1999 fan. Everyone looked down on us, including all other fans! To this day, I’m careful at cons and on panel discussions about mentioning my love of this series, because people actually groan in revulsion.

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Review – Tribute: Frank Capra

frank-capra-comic-bookI somehow missed this when it came out in time for Christmas, 2012. In fact, I’m not 100% sure how I stumbled across it last week. Other than their Logan’s Run adaptations a while back, I don’t read too many Bluewater comics, so I doubt it was a house ad. Alas, that’s the nature of the Internet, especially when you’re as ADD as I am. Searching for one thing can lead to something you didn’t expect, which sets you on a mission. In this case, surfing around for something unrelated brought up a stray reference to a Capra tribute done in comic book form, and I had to find out what that was about. So whatever I’d been searching for was forgotten, and I had to jump on ComiXology and buy this.

Frank Capra is one of my heroes. I have a list of four big personal heroes, and a list of, I guess, “others.” Mostly right now the distinction between “big” and “other” is that the “others” are still living, or that their principal body of work falls within my lifetime.

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Review – Marvel Masterworks: Marvel Two in One Volume One

2in1-05Marvel Two-In-One. The title kinda says it all, doesn’t it? You buy this book, you’re getting two for the price of one. In this case, two super-heroes. On a smaller scale, it’s the logic that, in the 1940s, led National Comics and All-American Comics to create the Justice Society, or, later, DC Comics to create the Justice League. It’s like this: Some kid has only one dime, and doesn’t know if he wants to read The Flash or Green Lantern. Hey, kid, suppose you could get both for one thin dime? And a bunch of other characters besides? Wow! It’s like getting free super-heroes!

And of course, what you don’t say to the kid is that you hope he’ll get hooked on the “free” super-heroes, and, instead of one thin dime a week, start spending five or six dimes a week, so he can keep up with all those new characters he’s been introduced to. It’s the same principle by which drug dealers give away free crack. (I infer. Do drug-dealers give away free crack? I’ve never met a drug dealer. That I know of.)

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